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Hyman Bloom - American Master - Exhibitions - Alexandre Gallery

Hyman Bloom, Woods in Lubec, ca. 1975, oil on canvas, 72 x 48 inches

Alexandre Gallery is pleased to present a selection of major paintings and drawings by Hyman Bloom, in celebration of the artist’s retrospective exhibition at the Museum of Fine Arts Boston, Hyman Bloom: Matters of Life and Death, opening July 13th, and the publication of a new monograph on the artist: Modern Mystic: The Art of Hyman Bloom by Henry Adams, Robert Alimi and Debra Bricker Balken, distributed by DAP. Alexandre Gallery is the exclusive representative of the artist’s estate.

Bloom’s oeuvre is captivating for his incandescent, jewel-toned treatment of mystical and corporeal matters that range in style from painterly realism to semi-abstract expressionism. His work draws upon his immigrant heritage, interest in Eastern religions, and themes of death and human mortality. In his paintings of human corpses, skeletal fish and trees, archeological excavations, synagogues, Christmas trees, jewels and stones, Bloom explores underlying form and contemplates concepts of beauty and spirituality, of life and death.

A somewhat unconventional figure during the advent of Abstract Expressionism, Bloom painted representational works. He remained aloof from the New York art scene, preferring his Boston studio and library. His work was introduced to a national audience and caught the attention of Jackson Pollock and Willem de Kooning when thirteen of his paintings appeared in Americans 1942: 18 Artists from 9 States at the Museum of Modern Art. This led to widespread recognition and several major museum exhibitions.

Critic Debra Bricker Balken writes in Modern Mystic: The Art of Hyman Bloom:

The art world, with its fast pace, ongoing turnover of interests, and voguish audiences, never held him. He always knew he was an anomaly. His only satisfaction was to mine the possibility for an art that could transcend temporal boundaries by alluding to a world beyond the material.

Bloom overlays the temporality of human life, of bodily decay, with that of the everlasting spiritual realm, and vice versa, so that the realms become imbued with the other’s qualities. In this exhibition, luminous paintings of torsos, limbs, and gutted fish appear sacrosanct; a skeletal portrait of a rabbi and a fleshy Jewish man appear macabre; and swirling depictions of seances, forests, and seascapes occupy a liminal space and time. Through such renderings, Bloom remarked that “the paradox of the harrowing and the beautiful could be brought into unity.” And elsewhere said “spiritual life cannot be delegated; true spiritual experience can only come from within, and it is only through individual efforts to deepen the process that a state of grace can be achieved.”

Installations

Installations Thumbnails
Photograph showing a corner view of an exhibition space with three paintings hanging on white walls
Photograph showing a corner view of an exhibition space with three paintings hanging on white walls
Photograph showing a corner view of an exhibition space with four paintings hanging on white walls
Hyman Bloom
Photograph showing a front view of an exhibition space with two paintings hanging on white walls
Photograph showing a front view of an exhibition space with one painting hanging on a white wall above a chair and side table
Photograph showing a corner view of an exhibition space with two paintings hanging on white walls
Photograph showing a view of an exhibition space with one painting hanging on a white wall
Photograph showing a front view of an exhibition space with two paintings hanging on white walls
Photograph showing a corner view of an exhibition space with one painting hanging on white walls
Photograph showing a corner view of an exhibition space with two paintings hanging on white walls
Photograph showing a corner view of an exhibition space with three paintings hanging on white walls
Photograph showing a corner view of an exhibition space with three paintings hanging on white walls
Photograph showing a corner view of an exhibition space with four paintings hanging on white walls
Hyman Bloom
Photograph showing a front view of an exhibition space with two paintings hanging on white walls
Photograph showing a front view of an exhibition space with one painting hanging on a white wall above a chair and side table
Photograph showing a corner view of an exhibition space with two paintings hanging on white walls
Photograph showing a view of an exhibition space with one painting hanging on a white wall
Photograph showing a front view of an exhibition space with two paintings hanging on white walls
Photograph showing a corner view of an exhibition space with one painting hanging on white walls
Photograph showing a corner view of an exhibition space with two paintings hanging on white walls

Selected Works

Selected Works Thumbnails
Untitled (Lubec Woods), ca. 1975, oil on canvas, 72 x 55 inches

Untitled (Lubec Woods), ca. 1975, oil on canvas, 72 x 55 inches

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Expressionist painting with segmented body parts in a heap

Torso and Limbs, 1952, oil on canvas, 34 1/4 x 52 inches

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Expressionist landscape painting of a forest scene

Wooded Rocks, 1974, oil on canvas, 24 x 30 inches

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Dark charcoal drawing with a spider on top of the image of a face

Self-Portrait with Spider, ca. 1965, charcoal on paper, 65 x 30 3/4 inches

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Expressionist painting of a macabre still life scene on a wooden table

A Leg With Skull, 1979, oil on canvas, 32 x 70 inches

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Expressionist painting of a abstracted forest scene

Woods in Lubec, ca. 1975, oil on canvas, 72 x 48 inches

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Expressionist painting of organic, abstracted, fish-like forms

Seascape IV (First Series), 1975, oil on canvas, 49 x 69 inches

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Expressionist drawing of dark tree forms

Tree Study, ca. 1970, ink on paper, 20 x 24 3/4 inches

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Expressionist charcoal drawing of an abstracted landscape with tree-forms

Landscape, ca. 1963, charcoal on paper, 34 x 38 1/2 inches

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Expressionist painting with abstracted, fish-like forms

Seascape I (Second Series), 1985, oil on canvas, 56 1/2 x 43 1/4 inches

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Expressionist painting of an abstracted Christmas tree covered in ornaments

Christmas Tree, 1983, oil on canvas, 60 1/4 x 46 inches

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Expressionist painting of a table full of abstracted vegetal objects, with a basket of objects underneath

Still Life with Turban Squash, ca. 1990, oil on canvas, 60 x 50 inches

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Expressionist painting of a table holding various vessels and fruit, with more vessels underneath the table and a red cloth hanging behind the table

The Red Bed Jacket, 1983, oil on canvas, 72 x 44 inches

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Expressionist painting with a white face and black goat's head emerging from an atmospheric grey ground

Seance, ca. 1950, oil on canvas, 34 x 26 inches

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Expressionist painting of a table holding an abstracted human leg

Leg on Table, 1979, oil on canvas, 32 x 64 inches

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Untitled (Lubec Woods), ca. 1975, oil on canvas, 72 x 55 inches

Untitled (Lubec Woods), ca. 1975, oil on canvas, 72 x 55 inches

Expressionist painting with segmented body parts in a heap

Torso and Limbs, 1952, oil on canvas, 34 1/4 x 52 inches

Expressionist landscape painting of a forest scene

Wooded Rocks, 1974, oil on canvas, 24 x 30 inches

Dark charcoal drawing with a spider on top of the image of a face

Self-Portrait with Spider, ca. 1965, charcoal on paper, 65 x 30 3/4 inches

Expressionist painting of a macabre still life scene on a wooden table

A Leg With Skull, 1979, oil on canvas, 32 x 70 inches

Expressionist painting of a abstracted forest scene

Woods in Lubec, ca. 1975, oil on canvas, 72 x 48 inches

Expressionist painting of organic, abstracted, fish-like forms

Seascape IV (First Series), 1975, oil on canvas, 49 x 69 inches

Expressionist drawing of dark tree forms

Tree Study, ca. 1970, ink on paper, 20 x 24 3/4 inches

Expressionist charcoal drawing of an abstracted landscape with tree-forms

Landscape, ca. 1963, charcoal on paper, 34 x 38 1/2 inches

Expressionist painting with abstracted, fish-like forms

Seascape I (Second Series), 1985, oil on canvas, 56 1/2 x 43 1/4 inches

Expressionist painting of an abstracted Christmas tree covered in ornaments

Christmas Tree, 1983, oil on canvas, 60 1/4 x 46 inches

Expressionist painting of a table full of abstracted vegetal objects, with a basket of objects underneath

Still Life with Turban Squash, ca. 1990, oil on canvas, 60 x 50 inches

Expressionist painting of a table holding various vessels and fruit, with more vessels underneath the table and a red cloth hanging behind the table

The Red Bed Jacket, 1983, oil on canvas, 72 x 44 inches

Expressionist painting with a white face and black goat's head emerging from an atmospheric grey ground

Seance, ca. 1950, oil on canvas, 34 x 26 inches

Expressionist painting of a table holding an abstracted human leg

Leg on Table, 1979, oil on canvas, 32 x 64 inches